Wednesday, May 21, 2008
Friday, May 16, 2008
Stuff White People Like
This is a link to a blog that finally lets you know how to properly communicate with and get to know white people. Their post "#41 Indie Music" I thought was particularly informative so I decided to post it here.
A friend of mine sent me the link to this blog. Check it out if you have the want to learn anything more about getting along with white people.
A friend of mine sent me the link to this blog. Check it out if you have the want to learn anything more about getting along with white people.
Friday, April 25, 2008
Waste of time? or Waste of time?
2 million views for this? I guess it is an alright novelty, but if you actually listen to the music it makes no sense. Whatever.
Sunday, April 6, 2008
Itunes Overtakes Walmart Album Sales
According to a New York Times article, music is now primarily sold digitally.
So what does this mean? It means the death of the traditional album.
Here is an article I wrote for The Daily Collegian that talked about this day and what it means for the music listeners:
Music lovers should be glad to be born in this generation. For $5 a month, you can listen to anything - there is a whole world of music at the click of a button.
The Internet provides access to so much music that would otherwise go unheard. Just a few years ago, back in the CD generation, listeners had to have money and time to find that one rare album.
Since almost anything can be found online, there is no longer a need to go to a record store. The digital makeover will ruin the Mom and Pop record store, but at the same time, it will release music from much of the corporate grip that has plagued the art for a long time.
Corporations like Wal-Mart and Best Buy are the biggest sellers of music and have been able to control the music market by selecting what music they will sell. Record companies have had to keep that in mind when recording an artist.
For instance, Wal-Mart bans albums that are of "explicit content," giving the artist an ultimatum: censor the albums or lose the sales from those stores.
Wal-Mart distributes 25 percent of music sales, according to a November 2005 article on Mac360. The chain doesn't like politics or swearing in music, but movie viewers can always get the new bloody movie that just came out.
However, Wal-Mart and Best Buy losing money should be the least of listeners' worries. The ones that truly suffer are the small record shops.
Every music lover can remember picking up a record and running home to give it a listen. That exhilaration is gone and it's not coming back.
Record stores should cut their losses right now. In five years, it will be hard to find a CD player, unless that device is part of a computer connected to the Internet.
The drawback of digital music is that you can't hold it in your hand or flip through a booklet of it. You can't show off your collection to your friends without waiting for the screen to load.
Should we consider this the death of the music collector? Don't worry, it is just a transition time now - the only thing to do is embrace it.
So what does this mean? It means the death of the traditional album.
Here is an article I wrote for The Daily Collegian that talked about this day and what it means for the music listeners:
Music lovers should be glad to be born in this generation. For $5 a month, you can listen to anything - there is a whole world of music at the click of a button.
The Internet provides access to so much music that would otherwise go unheard. Just a few years ago, back in the CD generation, listeners had to have money and time to find that one rare album.
Since almost anything can be found online, there is no longer a need to go to a record store. The digital makeover will ruin the Mom and Pop record store, but at the same time, it will release music from much of the corporate grip that has plagued the art for a long time.
Corporations like Wal-Mart and Best Buy are the biggest sellers of music and have been able to control the music market by selecting what music they will sell. Record companies have had to keep that in mind when recording an artist.
For instance, Wal-Mart bans albums that are of "explicit content," giving the artist an ultimatum: censor the albums or lose the sales from those stores.
Wal-Mart distributes 25 percent of music sales, according to a November 2005 article on Mac360. The chain doesn't like politics or swearing in music, but movie viewers can always get the new bloody movie that just came out.
However, Wal-Mart and Best Buy losing money should be the least of listeners' worries. The ones that truly suffer are the small record shops.
Every music lover can remember picking up a record and running home to give it a listen. That exhilaration is gone and it's not coming back.
Record stores should cut their losses right now. In five years, it will be hard to find a CD player, unless that device is part of a computer connected to the Internet.
The drawback of digital music is that you can't hold it in your hand or flip through a booklet of it. You can't show off your collection to your friends without waiting for the screen to load.
Should we consider this the death of the music collector? Don't worry, it is just a transition time now - the only thing to do is embrace it.
Friday, April 4, 2008
Tuesday, April 1, 2008
Tab Vs. Written Music (Why I Teach the Way I do)
I often get comments on my videos complaining that when I teach songs I don't use the note names. This, I feel, is a valid comment but one that also has the reason built in.
The lords-truth is that most people who play bass guitar have no music reading skills. While I don't present the notes in written form it can be universally understood, simply by counting, where I am on the neck.
There is also (and this is because I'm lazy) the reason that its a syllable longer to say 'A Flat' instead of its counterpart 'Four'. This really comes in handy when describing a bassline with a lot of notes in it. On occasion I will say the note names when the bassline grooves on just a chord progression.
So thats my reasoning. Take it, leave it, or keep complaining because I don't really care if you think that my free bass lessons, that I do on my own time mind you, should cater directly to your needs. Learn the notes on your own freetime. Its really not that hard to do.
P.s. I should be getting to the pile of requests I have soon, these past two weeks have been more hectic than usual.
Check back later this week for this months bass-album spotlight.
The lords-truth is that most people who play bass guitar have no music reading skills. While I don't present the notes in written form it can be universally understood, simply by counting, where I am on the neck.
There is also (and this is because I'm lazy) the reason that its a syllable longer to say 'A Flat' instead of its counterpart 'Four'. This really comes in handy when describing a bassline with a lot of notes in it. On occasion I will say the note names when the bassline grooves on just a chord progression.
So thats my reasoning. Take it, leave it, or keep complaining because I don't really care if you think that my free bass lessons, that I do on my own time mind you, should cater directly to your needs. Learn the notes on your own freetime. Its really not that hard to do.
P.s. I should be getting to the pile of requests I have soon, these past two weeks have been more hectic than usual.
Check back later this week for this months bass-album spotlight.
Wednesday, March 26, 2008
The end is fast approaching
So I am about to graduate college and have decided that a year (or two) of traveling will suit my new post-bachelors degree life. Sounds great right? Yeah...but I play an electric instrument (thank god I'm not a drummer).
So I have decided to take a gander at the rainbow-filled and moss-covered enchanted land of midget basses. Or short scale if you want to be PC.
What is winning the race so far is the DeArmond Ashbory Bass. This I feel, is the most bad-ass 18" bass on the market (by default because its the only one).

Man look at that thing, Its so fucking tiny. I'm going to look like a monster playing a space-aged ukulele. But hey, who cares as long as the low-end is there.
I need to try this thing out before I buy it. But for 300 bucks its not that big of a gamble for something I'm going to dent up in foreign airports.
So I have decided to take a gander at the rainbow-filled and moss-covered enchanted land of midget basses. Or short scale if you want to be PC.
What is winning the race so far is the DeArmond Ashbory Bass. This I feel, is the most bad-ass 18" bass on the market (by default because its the only one).

Man look at that thing, Its so fucking tiny. I'm going to look like a monster playing a space-aged ukulele. But hey, who cares as long as the low-end is there.
I need to try this thing out before I buy it. But for 300 bucks its not that big of a gamble for something I'm going to dent up in foreign airports.
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