So I am about to graduate college and have decided that a year (or two) of traveling will suit my new post-bachelors degree life. Sounds great right? Yeah...but I play an electric instrument (thank god I'm not a drummer).
So I have decided to take a gander at the rainbow-filled and moss-covered enchanted land of midget basses. Or short scale if you want to be PC.
What is winning the race so far is the DeArmond Ashbory Bass. This I feel, is the most bad-ass 18" bass on the market (by default because its the only one).
Man look at that thing, Its so fucking tiny. I'm going to look like a monster playing a space-aged ukulele. But hey, who cares as long as the low-end is there.
I need to try this thing out before I buy it. But for 300 bucks its not that big of a gamble for something I'm going to dent up in foreign airports.
Wednesday, March 26, 2008
Monday, March 24, 2008
Friday, March 14, 2008
Last post for a week!!!
I know, what are you to do?
My spring break started around 3 hours ago and in another 48 hours I will be in the Caribbean sipping on some dank pina coladas.
Unfortunately I'll be over 1,000 miles from my bass and from my computer. So this might be the last post till next Sunday.
So I wish you all a happy St.Patricks day!
And just a little advice:
Worried about drinking too much during your gig on St. Patricks day? Just remember keep it under 18 while on stage this weekend a night and try not to play too many 'Dropkick Murphy' covers. (Plus, don't they have only one song that anyone knows?)
Anyway, I'll be back in action and ready with some new videos.
Keep groovin'
Bass Guy.
My spring break started around 3 hours ago and in another 48 hours I will be in the Caribbean sipping on some dank pina coladas.
Unfortunately I'll be over 1,000 miles from my bass and from my computer. So this might be the last post till next Sunday.
So I wish you all a happy St.Patricks day!
And just a little advice:
Worried about drinking too much during your gig on St. Patricks day? Just remember keep it under 18 while on stage this weekend a night and try not to play too many 'Dropkick Murphy' covers. (Plus, don't they have only one song that anyone knows?)
Anyway, I'll be back in action and ready with some new videos.
Keep groovin'
Bass Guy.
Thursday, March 13, 2008
Wednesday, March 12, 2008
Need another music blog in your life?
Check out The Living-Room Rock Gods (or LRRG for short.
Its headed by a pretty cool bass player named Pook who showcases youtubes finest amateur talent.
Here is a video of what Pook doing what Pook does best:
Its headed by a pretty cool bass player named Pook who showcases youtubes finest amateur talent.
Here is a video of what Pook doing what Pook does best:
Monday, March 10, 2008
Friday, March 7, 2008
Have you heard of Squarepusher?
The interviewer is as annoying as interviewers come, but look past that and check out the bass solo at the end. Solid stuff.
Thanks to youtube user ernesthemingfish for the link.
Thanks to youtube user ernesthemingfish for the link.
Thursday, March 6, 2008
Effects: A dilemma for every bassist
It sounds great at first, the idea of getting new and possibly exciting sounds out of your bass.
You start looking online but all you find is guitar pedals.
While the market for Bass effects is getting better there still really isn’t a huge market for bass.
Why? Well its because bassists aren’t repeat customers out of dissatisfaction.
I have made that unfortunate venture into the world of effects and spent around 400 bones on envelope filters, distortion pedals, and multi effects.
I would jam with them but when it came down to the gig I left it at home.
It may sound like fun but trust me, focus on your tone. Spend the money on your amp.
Check this out:
This is the Ashdown Bass Sub-Octave Plus Pedal.
Holy shit! A pedal that makes each note an octave lower!? Wow! Sounds fuckin’ cool right? You will really be able to hit the brown note now.
But wait. No. Don't do it. Why? Because it doesn't work. Yup, the vast majority of reviews cited a myriad of problems like slow tracking and notes not registering.
Do you really need to hit an octave lower than you already can? Of course not. They are selling you a $150 novelty and they know it. Those bastards. Even if it did work could your amp reach that low without clipping and still sustain tone with volume?
If you are a seasoned vet you already know all of this. This one is for the new guys.
Remember you are a bassist not a guitarist. You may want to tap into their wonderful world of exciting new sounds but unfortunately this is not within your pedigree.
This is not to say that effects are bad. Some are great and can really add a dimension to your sound. Think of it like cooking. You never want to add too much salt. Looking at it that way a multi-chorus effect is like a pizza with extra-cheese: a good idea at first but a bad idea in hindsight when you are sitting on the toilet.
Moral of the story: Check out some pedals and do your research before throwing down serious bread. Make sure that it will compliment your sound without dominating it and be of frequent use to you.
Good luck! And sorry for all the food references, I was really hungry when I was wrote this.
You start looking online but all you find is guitar pedals.
While the market for Bass effects is getting better there still really isn’t a huge market for bass.
Why? Well its because bassists aren’t repeat customers out of dissatisfaction.
I have made that unfortunate venture into the world of effects and spent around 400 bones on envelope filters, distortion pedals, and multi effects.
I would jam with them but when it came down to the gig I left it at home.
It may sound like fun but trust me, focus on your tone. Spend the money on your amp.
Check this out:
This is the Ashdown Bass Sub-Octave Plus Pedal.
Holy shit! A pedal that makes each note an octave lower!? Wow! Sounds fuckin’ cool right? You will really be able to hit the brown note now.
But wait. No. Don't do it. Why? Because it doesn't work. Yup, the vast majority of reviews cited a myriad of problems like slow tracking and notes not registering.
Do you really need to hit an octave lower than you already can? Of course not. They are selling you a $150 novelty and they know it. Those bastards. Even if it did work could your amp reach that low without clipping and still sustain tone with volume?
If you are a seasoned vet you already know all of this. This one is for the new guys.
Remember you are a bassist not a guitarist. You may want to tap into their wonderful world of exciting new sounds but unfortunately this is not within your pedigree.
This is not to say that effects are bad. Some are great and can really add a dimension to your sound. Think of it like cooking. You never want to add too much salt. Looking at it that way a multi-chorus effect is like a pizza with extra-cheese: a good idea at first but a bad idea in hindsight when you are sitting on the toilet.
Moral of the story: Check out some pedals and do your research before throwing down serious bread. Make sure that it will compliment your sound without dominating it and be of frequent use to you.
Good luck! And sorry for all the food references, I was really hungry when I was wrote this.
Wednesday, March 5, 2008
Bass Album Spotlight - March:
Funky Miracle by The Meters
This is my favorite album of all time. I beg of you, do not take that lightly. I am so confident with this albums status that I can say that it always will be my favorite.
While I did say album, it actually is more of an early compilation of The Meters (but let’s not argue semantics).
If the name The Meters is foreign to you I implore you to pick up this album or any other work that they have done. On the same vein, if you are a bass player and you have never heard of George Porter, Jr. then you are in for a treat.
This isn’t your 1980’s pseudo “post-disco” bullshit that is pushed in compilations.
This is New Orleans funk. Real laid back, in the pocket, there are groups that come close, but you can’t get better then this.
Are you ready for me to make a very bold statement?
Here it goes:
I think that The Meters are the best funk band of all-time.
So enough of my Meters love fest. Let’s get on to the album.
This album album/compilation (there I go again) is so great because it hand picks every single one of their best songs. Most of the tracks are instrumentals which singles out the soul-squeezing groove that these musicians posses.
Buy this album. Do it.
Highlighted tracks:
Every single one.
Monday, March 3, 2008
Saturday, March 1, 2008
Hey Bass Guy’s guide to the 5 types of bass guitars you should NEVER to buy:
There are many articles on the internet dealing with what basses to buy. But what about the huge amount of bass guitars on the market that should be avoided at all costs? We have all seen those trashy looking basses. But how do we know for sure that we are buying the right one?
I’m going to cut the fat here. You may not like what you read in this article, but this is all true. Here are my five types:
1.The Bill and Ted:
I don’t know who thought it would be a “totally freakin awesome idea” to cut off the headstock. OK so cool you can go long periods of time without tuning. Way to go douche bag, you traded the aesthetic value of your instrument for a novelty feature. Why don’t you go buy a keytar and start a Weird Al cover band.
2. The Spinal Tap
Nothing screams that a musician lacks versatility than a bass like this. We understand you are in a metal band, but why don’t you show how metal you are through your music.
A part of being a musician is being able to master different styles of music with ease. Not only does this make you look like a one-sided player, but you would look ridiculous playing that bass with any other type of music. Would you really expect people to take you seriously if you played in a jazz group with this trash? Seriously, unless you are in a hardcore Spinal Tap cover band there is no need to buy this.
If you really want to be metal, pick a bass with a standard body but get it in black. I promise no one will criticize you.
Remember, styles of music are just that: music. Don’t play into the commercial Hot Topic craze.
3. The Josie and the Pussie Cat:
I try not to make gender an issue, but could you see Me'Shell NdegeOcello playing one of these? Need I say more?
4. The Ridiculous Signature Model:
There aren’t many of these and it is rare to see them. Because most signature basses are high end (around 1,000-8,000) you don’t see many that are that bad. In fact the vast majority are great like the Modulus Flea bass.
However you get stuff like this (I know I might catch some flak for this):
Bootsy is the ONLY person who can pull off a stage show with this thing. The only way anyone should buy this is if they are a collector. With the $2,000 that this bass costs you could buy something way better that suits a bunch of different styles. Unless you are Boosty, bringing this thing on stage will make you look worse just because the reputation of the bass precedes itself.
The bass below is of the Jaco Relic bass and I have already ranted about that in another post that you can read here.
5. The Bass With Too Many Strings:
Now I know that I am treading on a heated debate right now. But it is true; 7-strings basses are absurd.
Think of it this way:
YOU the BASS PLAYER will have MORE strings than your guitar player.
Sounds ridiculous now that you think about it right? Besides, you will probably have to special order your strings. Worth it? No.
Why do bassists keep buying this shit? Have you ever seen guitar players extremely interested in buying a 7, 8, or 9 string guitar? I know there are exceptions for this but I think I make a solid case.
As far as I can see there are only three legitimate reasons to own a 7-string:
1. Unless you, again, are a collector.
2. Are a serious solo bassist that needs (why, I don’t know) more tones than a guitar can offer.
OR
3. Have ABSOLUTELY mastered the bass and really need that extra string so you can blow Victor Wooten out of the water during a bass-off.
In the end:
Don’t go with what looks flashy. There are so many great basses out there. Choose wisely.
The only thing that is going to impress people is your playing. There is no amount of money that can buy you the idea that you are a good player.
All of these basses are easy to avoid, good luck.
I’m going to cut the fat here. You may not like what you read in this article, but this is all true. Here are my five types:
1.The Bill and Ted:
I don’t know who thought it would be a “totally freakin awesome idea” to cut off the headstock. OK so cool you can go long periods of time without tuning. Way to go douche bag, you traded the aesthetic value of your instrument for a novelty feature. Why don’t you go buy a keytar and start a Weird Al cover band.
2. The Spinal Tap
Nothing screams that a musician lacks versatility than a bass like this. We understand you are in a metal band, but why don’t you show how metal you are through your music.
A part of being a musician is being able to master different styles of music with ease. Not only does this make you look like a one-sided player, but you would look ridiculous playing that bass with any other type of music. Would you really expect people to take you seriously if you played in a jazz group with this trash? Seriously, unless you are in a hardcore Spinal Tap cover band there is no need to buy this.
If you really want to be metal, pick a bass with a standard body but get it in black. I promise no one will criticize you.
Remember, styles of music are just that: music. Don’t play into the commercial Hot Topic craze.
3. The Josie and the Pussie Cat:
I try not to make gender an issue, but could you see Me'Shell NdegeOcello playing one of these? Need I say more?
4. The Ridiculous Signature Model:
There aren’t many of these and it is rare to see them. Because most signature basses are high end (around 1,000-8,000) you don’t see many that are that bad. In fact the vast majority are great like the Modulus Flea bass.
However you get stuff like this (I know I might catch some flak for this):
Bootsy is the ONLY person who can pull off a stage show with this thing. The only way anyone should buy this is if they are a collector. With the $2,000 that this bass costs you could buy something way better that suits a bunch of different styles. Unless you are Boosty, bringing this thing on stage will make you look worse just because the reputation of the bass precedes itself.
The bass below is of the Jaco Relic bass and I have already ranted about that in another post that you can read here.
5. The Bass With Too Many Strings:
Now I know that I am treading on a heated debate right now. But it is true; 7-strings basses are absurd.
Think of it this way:
YOU the BASS PLAYER will have MORE strings than your guitar player.
Sounds ridiculous now that you think about it right? Besides, you will probably have to special order your strings. Worth it? No.
Why do bassists keep buying this shit? Have you ever seen guitar players extremely interested in buying a 7, 8, or 9 string guitar? I know there are exceptions for this but I think I make a solid case.
As far as I can see there are only three legitimate reasons to own a 7-string:
1. Unless you, again, are a collector.
2. Are a serious solo bassist that needs (why, I don’t know) more tones than a guitar can offer.
OR
3. Have ABSOLUTELY mastered the bass and really need that extra string so you can blow Victor Wooten out of the water during a bass-off.
In the end:
Don’t go with what looks flashy. There are so many great basses out there. Choose wisely.
The only thing that is going to impress people is your playing. There is no amount of money that can buy you the idea that you are a good player.
All of these basses are easy to avoid, good luck.
Subscribe to:
Posts (Atom)